Unlike the “Blond Hans,” who made regular appearances in Sigrid Schultz’s letters and memoirs, Schultz mentioned Expressionist dancer, cabaret artist, and actress Anita Berber (1899-1928) only once. A year after Berber’s death, Schultz described Berber as “the wild woman of inflation days—who burned away her great dancing talent with dope and wild parties, portraying her…