Talking About Women’s History: Three Sets of Three Questions and an Answer With the Women Behind @OnThisDayShe
As I’ve mentioned before, lots of people doing interesting things related to women’s history hang out on Twitter. In the case of @OnThisDayShe, Twitter is literally where the discussion happens. The feed’s bio reads “Putting women back into history, one day at a time.” It is a daily delight.
I am pleased to introduce you to the women behind the Twitter handle:
Ailsa Holland is Manchester Cathedral Poet of the Year 2019. Her first pamphlet, Twenty-Four Miles Up, was published in 2017 with support from Arts Council England. Ailsa also likes to create word art and installations; she has collaborated with artists’ studio twentysevenb on several exhibitions including How Did It Get So Dark? (2018 & 2019). Ailsa is the Director of Moormaid Press (moormaidpress.co.uk) and co-creator of Twitter project @OnThisDayShe. In a former, pre-motherhood life she wrote about medieval women and did a PhD about British writers in 1930s Vienna.
Tania Hershman‘s poetry pamphlet, How High Did She Fly, is joint winner of Live Canon’s 2019 Poetry Pamphlet Competition and was published in Nov 2019. Her hybrid pamphlet is forthcoming from Guillemot Press in March 2020. Tania’s debut poetry collection, Terms & Conditions, is published by Nine Arches Press and her third short story collection, Some Of Us Glow More Than Others, is published by Unthank Books. Tania is also the co-author of Writing Short Stories: A Writers’ & Artists’ Companion (Bloomsbury, 2014). She is co-creator of @OnThisDayShe, curator of short story hub ShortStops (www.shortstops.info) and has a PhD in creative writing inspired by particle physics.
Jo Bell is a former archaeologist who has worked on Byzantine sites in Cappadocia first surveyed by Gertrude Bell. She is now an award-winning poet—prizes include the Charles Causley Prize—and broadcaster. Her latest poetry collection Kith, and her ‘how to’ books 52: Write a Poem a Week and How To Be A Poet (with Jane Commane), are available from Nine Arches Press. She is co-creator of @OnThisDayShe.
Left to right: Tania Hershman, Ailsa Holland, Jo Bell
Take it away, ladies:
AILSA HOLLAND
What inspired you to start @OnThisDayShe?
The inspiration, if you can call it that, came from rage. Proof that Soraya Chemaly is right when she says that ‘there is creativity in anger’!
It started with a Christmas present in 2016: an ‘On This Day in History’ calendar, with a tear-off sheet for each day. I love tear-off calendars — we’ve had them before, with artworks from the Met, weird obsolete words, Snoopy cartoons. So I was looking forward to this one too. On 1 January 2017 I stood it on top of the microwave, ready to remind me what day it was (and therefore what I was doing, what the kids would be doing) and also give me a little nugget of knowledge. What’s not to like?
But as the weeks went on I realised that there was something not to like — namely that ALL the events mentioned only involved men. The first reference to a woman came at the end of February. I started to collect the days that mentioned women, as a little experiment. By the end of July I had 20. Out of 212. That’s less than 10%. At that point my rage reached the required intensity for me to give up on the experiment and throw the sheets away.
The calendar continued in the same vein, but it was too useful and I was too stingy to get rid of it entirely. In the autumn when I told Tania and Jo about it, they instantly shared my rage. We all wanted to DO SOMETHING ABOUT IT, preferably a counter-calendar, or even better a book, but of course we all have limited time and energy to devote to extra projects. In the end we decided to start a Twitter account — we were all on Twitter already — and call it @OnThisDayShe. And the rest, I suppose, is history.
Tell us about a woman (or group of women) from the past who has inspired your writing.
One of my heroines is Sophie Scholl, the Munich student, who—with her brother Hans and friends including Christoph Probst—was part of the White Rose resistance group who printed and distributed anti-Nazi leaflets in the 1940s. Sophie and some of the others were arrested, and executed on 22 February 1943 for their ‘crimes’. She inspired me to write a poem, trying to imagine the thoughts and the sensibility of a young woman who would come to such a brave decision. It’s in a poetry anthology about dissenters: https://beautifuldragons.net/dissent
More generally, the women I’ve learnt about through doing @OnThisDayShe have given me a new level of self-belief and a feeling of entitlement I didn’t have before. It seems that the saying ‘You have to see it to be it’ is really true. Seeing these women—the range of their activities and the sheer numbers of them—has really helped me to be more myself, to have confidence in myself as a writer. I spoke about this in more detail in my TEDx talk about @OnThisDayShe:
[Pamela here: If you are reading this in an email, you need to click through to your browser to see the video. (Just click the headline.) It is well worth it.]
Do you think Women’s History Month is important and why? How do you define women’s history?
I think of Women’s History Month like I think of food banks: it’s vitally important, but I fervently wish it wasn’t necessary. I think it’s great to have a time where people focus on women’s ‘forgotten’ stories or women’s perspectives, but of course there’s always the danger that this will be seen to be enough, that we can go back to ‘Default (Male) History’ for the rest of the year.
We try not to talk about @OnThisDayShe as ‘women’s history’, but rather as ‘putting women back into history’, a history that they are rightfully part of. Having said that, I’m becoming more and more aware, as I read about more women, how women have to some extent formed a parallel history because they been excluded from mainstream society and educational and professional networks: they’ve formed their own liberation movements; they’ve mentored and taught each other; they’ve supported and employed one another.
So I think we need to claim women’s place and importance in History while also acknowledging that, like any oppressed group, they’ve worked within society and outside it. In my TEDx talk I refer to women ‘who engaged with the world in such a way as to change it’; and whether that was by discovering a new element or inventing a life raft or by increasing women’s and others’ rights and opportunities, it’s important that we know about them, to make our knowledge of history more complete and to show our daughters that they shouldn’t limit their ambitions.
One thing ‘women’s history’ isn’t: it isn’t only for women to read and educate themselves about. If men want to have a more complete understanding of history and therefore of the world, they need to engage with these stories too.
TANIA HERSHMAN
Are there special challenges in writing history within the constraints of Twitter? (Of course there are. What I really want to know is: How do you manage to create such rich bites of history within the constraints of Twitter?)
Well, let’s first say that we’re pretty grateful that Twitter doubled its character limit a few years ago or it would be an even greater challenge! What we try and do – each of us in our own way, we do a week of tweets each – is tell a story within that tiny space, not trying to cover an entire life or delve deeply into some scientific breakthrough, say, artistic achievement or geopolitical event, but to spark the reader’s interest. It has been important to us from the very beginning that we use the #otd or #onthisday hashtag to highlight a day that was important to the woman herself, not the day she was born or died, but a day on which she did something. We try, too, to include some words in her own voice, if available, either in the tweet or in the accompanying image, a quote which gives us a flavour of her and makes her a real human being. And we always include a link in the tweet in the hopes that we’ve inspired people to want to know more. We often get questions about the daily tweet which seem to assume we are experts in this particular topic or time period and we politely respond (from our own accounts, not from OTDS, which we decided would only feature one tweet a day) that we don’t know everything, we do what research we are able in the time we have for this, a voluntary side-project in our busy lives, and suggest people follow the link we’ve provided to find out more. It’s wonderful when people chime in to tell us more about our women, we love that! And yes, occasionally we have made mistakes, and are happy to be corrected – sometimes we have repeated mistakes that are widespread on the Internet, which is a hazard of this kind of research. We once tweeted a photograph which had been widely touted as being of an inventor from the 1870s but, when it was pointed out to us, we realised that clearly it was from at least 40 years later, but this picture had illustrated articles about her on major websites. We do our best, and we appreciate constructive assistance – though we do also field snarky and sometimes abusive comments, but that’s life on social media, and fortunately it’s rare.
I hear rumors that a book based on the Twitter feed is in the works. When can we expect to see it?
We have had so many people suggesting that we publish a book, and that’s definitely on our radar, although no news at present. Watch this space!
Do you consider yourselves historians?
I am the only one of the three of us who has no background in history at all – my first degree was maths and physics, so I am the On This Day She science nerd! Before we started this project, I wasn’t a great fan of reading about “history”, it hadn’t been a favourite subject at school, and I would never have sought out history books as light reading. But our project has had a transformative effect on me because it’s about women – women we never learned about in school, women overcoming obstacles, doing things I had no idea they did (not always positive, of course, that’s part of our remit too, putting all women back into history), and suddenly I am utterly compelled and want to find out more, about all of them. I’m not a historian, that is an entirely different occupation. As an ex-science-journalist, I feel more like a reporter and a factual story-teller, doing research and distilling it into 280 characters. I can only hope that anyone like me – female or male – who feels or felt turned off by history at school, perhaps because it seemed like Men Doing Things, might stumble upon our Twitter account and be inspired to take another look.
JO BELL
All three of you are poets. How does that inform your work as historians?
I’m not sure it informs our work as historians exactly, but it informs our output. We have to fit a lot in to a single tweet each day: the discipline of poetry helps us to fit large ideas into a small space.
If you could pick one woman from history to put in every high school history textbook, who would it be?
We’d all give different answers and each of us would answer differently tomorrow. Today and most days, I’d say Grazide Lizier. She was a peasant in a southern French village, who answered the questions of the Inquisition at a heresy trial in 1321. In medieval history, we seldom read the actual words of anyone outside the educated classes; to hear a peasant woman speaking in her own words about village life, her sex life and what she had for dinner is amazing. Grazide stands for all the unheard voices we can’t recover.
What do you find most challenging or most exciting about researching historical women?
The big challenge is to find them. The second is to disentangle them from the propaganda, both negative and positive, that makes it harder to see what they really did. Women who deserve to be honoured are often left out of the record altogether, whilst women who deserve to be excoriated were apparently everywhere. If you believe the Roman historians, almost every important woman in the polity was promiscuous or a poisoner.
There are dangers in assuming that women simply weren’t there in the professions, the sciences, the arts. There were always women in these fields, no matter how hard it was for them to access opportunity. They are systematically undervalued or overlooked. Time and again, a woman’s work – her paintings, her scientific papers, her art or inventions or literary output – is attributed to a man, because the men writing history didn’t believe a woman could do it.
More than that, the very categories and descriptions we use for valued work are unsuited to women. Women have had to operate at the edges of institutions. When a woman is described as a king’s mistress, sometimes she is simply that: but often she’s a gatekeeper, a lobbyist, a politician pursuing a particular agenda just like any other courtier, and with better access. When a painter is described as her father’s helper, she’s often his apprentice. When a woman is described as a pilgrim or missionary she’s often an explorer, visiting remote cultures in a way that is acceptable to her own. Or we remember women for what we want them to be, not what they were. Florence Nightingale was a nurse for two years. She was a social campaigner and statistician for forty.
On the flip side, some women have been disproportionately revered because we are so hungry for examples. We have sometimes had to put aside a treasured role model because we can’t find good enough evidence to justify her place alongside the ground-breakers. Another challenge is the expectation that women in history must be uplifting, inspiring, exemplary. We don’t subscribe to that. Women rulers have committed atrocities; women have been bigots, murderers or simply complex people who weren’t all good. We aren’t writing hagiographies or uplifting tales for young ladies; in a small and cumulative way, we’re writing history.
And a question for Pamela!
We enjoy planning fantasy dinner parties with women from history and what they would say to each other. Which women from the past would you invite to dinner? How do you think it would go?
I love throwing dinner parties! And my favorite dinner parties are the ones where My Own True Love and I host four other people who didn’t already know each other and then let the conversation fly. (I must admit: I plan and cook the meals. My Own True Love carries the conversational burden. So he absolutely has to be included in the party.) So let’s go with four women who I think might have something to say to each other: Florence Nightingale, Senator Margaret Chase Smith, Queen Wilhemina of the Netherlands, and Marie von Clausewitz.
The next question: what would I serve? Hmmmm.
Want to more about @OnThisDayShe and the women who run it?
Follow the Twitter feed: @OnThisDayShe *duh*
Check out their websites and follow them on Twitter:
Ailsa
@Ailsaholland
https://ailsaholland.wordpress.com
Tania
@Taniahershman
http://www.taniahershman.com/wp/
Jo
@Jo_Bell
https://belljarblog.wordpress.com/about/
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Come back tomorrow for three questions and an answer with Paige Bowers, who has a new biography of a woman we need to know more about coming out in January.
Talking About Women’s History: Three Questions and an Answer with Leah Leach of Gal’s Guide to the Galaxy
As is the case with so many of my friends in Women’s History World, I met Leah Leach of Gal’s Guide to the Galaxy on Twitter. (Don’t let anyone tell you social media has no value.)
Gal’s Guide to the Galaxy is an in-the-trenches grassroots organization dedicated to spreading the word about women’s history. Here’s the official statement:
Gal’s Guide is a 501(c)3 nonprofit that provides multimedia resources and education about amazing women of history.
Gal’s Guide mission is to build an independent women’s history library and research center in the United States to preserve, collect, share and champion women’s achievements and lessons learned. We will act as a catalyst to creators who utilize our resources to guide others to these amazing role models who have been waiting in the shadows of history for too long.
All of which is true. But it doesn’t begin to describe the attitude, sparkle, and sheer grit that Leah and her team bring to the endeavor.
As you will see in the interview below, when I started talking to Leah about this back in January, the organization’s goal was to raise enough money to fund a pop-up library during Women’s History Month. Since then, Gal’s Guide has raised enough money to fund the library for a year. With the help of a thirteen-member volunteer book brigade they moved more than 1300 books that had been stored in Leah’s house to their new location in Noblesville, Indiana. They opened their doors on March 6. Personally, I’m hoping to make a pilgrimage.
Now I’ll let Leah tell you her story. Take it away Leah!
The Gal’s Guide to the Galaxy has a lot of cool parts: podcasts, education elements, events, etc. But the one that caught my imagination is your biggest goal: building a woman’s history library and research center. What inspired you to start this project? And how are you going about it?
My inspiration for the library came from the research that I was doing for the Gal’s Guide podcast called Your Gal Friday. It was our 44th episode and we were covering the bullfighter Conchita Cintrón and I was struggling to find out not only information about her but the handful of books written about her were out of print and out of circulation. This wasn’t the first (or the last time) I was frustrated with access to information but it was the first time I asked so who is making sure these out of print books are being preserved somewhere? Who is watching out for women’s history?
Because of my years since founding Gal’s Guide, I was already aware of how little women’s history was known to most Americans. I thought a podcast would be a lovely way to showcase history in an easily digestible way, but what happens when we (as creators of content) run out of credible sources? What happens when we keep hitting dead ends?
So I researched women’s history libraries and discovered there is not a women’s history library in the United States where you can browse the stacks and check out a book. I was shocked. Libraries have been a constant in my life. I can’t live without my local library. I’ve lived in 4 states in nearly every corner of this country and in each state my local library was my life-line. So I asked the team at Gal’s Guide if it was crazy to start a women’s history library and fill a void. Somehow they didn’t think I was crazy and we got to work researching women’s history libraries around the world and developed a plan to get the Gal’s Guide Library & Research Center built. We announced our plans to the public in 2019 and streamlined a lot of our programs to put the focus on building the library.
How we are going about getting the library built is first we are collecting materials. In our first year, we bought 818 books and we had another 552 donated thanks to wonderful organizations and people who support our mission. We also were able to add the Conchita Cintron book to our collection. (I attached a picture).
Our goal is to add at least 1,000 books to the collection each year. Our next step, now that there are 1,300+ books sitting in my living room, is to find a public location. We are asking various cities for in-kind spaces. We are applying for grants. We are partnering with various organizations and businesses likes Barnes & Noble. We have started a fundraiser to raise money for a pop-up location during Women’s History Month.
We are looking for a small but mighty space and then growing from there. The Glasgow Women’s Library did the same thing moving from space to space until there was enough capital to build their own space. Once we get the Gal’s Guide Library & Research Center in our first location we’ll set our sites on building an online women’s history database.
How can people help if they want to support the library project?
To support the library there are 3 wonderful ways to get involved and make a difference.
#1 Volunteer your time. We are a 100% volunteer staff, no one at Gal’s Guide is getting paid. We have a variety of people with special skills to help our mission plus you don’t even need to be local. Here is the link to what special skills we are looking for. https://galsguide.org/2019/12/11/volunteer-at-gals-guide/
#2 Donate Funds. We’ve been doing a lot with a little bit of money but it’s not free to build a library. It will take money. We are a 501(c)3 so in many ways, your donation is tax-deductible. We have a donation button on our website and a Patreon page for monthly donations. We are also a charity listed and supported on Facebook, Amazon Smile and Kroger. Learn more ways to donate at https://galsguide.org/supporters/
#3 Donate Books. We are seeking books that are written by women or about women. We accept fiction, nonfiction, cookbooks, children’s books, magazines, newspapers, DVD’s, CD’s. If it’s about women we want to preserve it and share it with our patrons. We very much love recycling books and giving them a new home. Info on where you can send your book donations: https://galsguide.org/womens-history-library/
If you could pick one woman from history to put in every high school history textbook, who would it be?
This is a really hard question because there are so many! Personally I want to say Sister Rosetta Tharpe because I think she’s amazing and needs WAY more credit as the inventor of Rock n’ Roll.
However, because I go into schools and visit organizations giving presentations about women of history this particular gal really captures the imagination of so many…Hedy Lamarr. I think Hedy’s story should be in every high school history textbook. Hedy was an actress and was sold as “The most beautiful woman in the world” what the world didn’t know until decades later is that Hedy was the co-inventor of Frequency Hopping, a patent that would make wifi and cordless technology like cell phones, GPS, and BlueTooth possible. When she gave this tech to the United States Army they didn’t understand it, they told her she was too pretty for inventing things and she should go sell war bonds. So she did, millions of dollars worth.
For decades the world only cared about her looks and not her brains. When a reporter broke the story of Hedy’s invention she was still alive but she worried that people still only cared about her looks that she never accepted in person an award for her invention.
But now there isn’t a day that goes by that we don’t use her invention. Her story is a warning cry that we need to encourage people to value brains over beauty. Also, she said this to her children near the end of her life:
“People are unreasonable, illogical and so obsessive
Love them anyway.
If you do good people will accuse you of selfish ulterior motives
Do good anyway.
The biggest people with the biggest ideas can be shot down by the smallest people with the smallest minds
Think big anyway.
What you spent years building maybe destroyed overnight
Build anyway.
Give the world the best you have and you’ll be kicked into the sea
Give the world the best you’ve got anyway.”
My question to you lovely Pamela, if you had a time machine and could travel to any time and place in history, where would you go and what would you hope to learn or see?
That’s a no-brainer for me: I’d go to 1920, so I could celebrate the passage of the 19th Amendment. And I’d like to stay long enough for the first national election in which women could vote. Can you imagine how thrilling that would be? (Of course, as a time traveler I probably couldn’t vote. But I could be there!)
To learn more about Gal’s Guide visit: galsguide.org
Twitter @GalsGuideGalaxy
Facebook @GalsGuideToTheGalaxy
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Come back on Monday for three questions and an answer with the women behind the Twitter feed @OnThisDayShe, which provides bite-sized bits of women’s history.
Talking About Women’s History: Three Questions and an Answer from Marlene Trestman
I’ve met the most amazing women hanging out on the Internet. Case in point: Marlene Trestman.
For the last decade of her thirty-year career with the Maryland Attorney General’s Office, from which she retired in 2013, Marlene Trestman served as Special Assistant to the Attorney General. Recognized for her enforcement of laws governing consumer protection and public health, Trestman twice received the Attorney General’s Exceptional Service Award. A Phi Beta Kappa graduate and former trustee of Goucher College, Trestman earned her law degree from George Washington University and her MBA from Loyola University of Maryland, where she has taught law. For her writing, Trestman has received research funding from the National Endowment for the Humanities, Supreme Court Historical Society, Hadassah-Brandeis Institute, American Jewish Archives, and Texas Jewish Historical Society.
Trestman’s biography of her mentor, Fair Labor Lawyer: The Remarkable Life of New Deal Attorney and Supreme Court Advocate Bessie Margolin (LSU Press, 2016), explores Margolin’s inspiring and improbable journey from the New Orleans Jewish orphanage in which she was raised, through the New Deal and the Nazi war crimes trials at Nuremberg, to the United States Supreme Court in which she championed the Fair Labor Standards Act.
A New Orleans native, Trestman lives in Baltimore where she is writing her second book, Most Fortunate Unfortunates: New Orleans’s Jewish Orphans’ Home, 1855-1946 (LSU Press, forthcoming).
Take it away, Marlene:
What led you to write your biography of Bessie Margolin?
Bessie Margolin and I are products of Southern Jewish benevolence, and our stories are interwined. Following the death of her mother, Bessie Margolin spent her childhood in New Orleans’s Jewish Orphans’ Home. In 1903, a decade before Bessie was admitted, the orphanage’s trustees founded the Isidore Newman Manual Training School to provide its wards a rigorous secular education that would equip them with practical skills and academic knowledge for a self-sufficient life. The School’s most unique feature was that it also admitted children from the broader community, regardless of religion or gender, whose parents paid tuition. The school quickly became what it remains today, a prestigious college prep school.
In 1967, two decades after the Home closed and Newman School became an independent entity, I was orphaned and placed in foster care under the supervision of the orphanage’s successor, today known as the Jewish Children’s Regional Service. At JCRS’s request, Newman School admitted me on a full scholarship, honoring the school’s founding mission to educate Jewish orphans.
In 1974, as I was about to graduate from Newman to attend Goucher College, the school’s guidance counselor wrote a letter introducing me to Bessie Margolin, who had recently retired from her remarkable career as Associate Solicitor of the U.S. Department of Labor, where for more than three decades she had championed the Fair Labor Standards Act and the Equal Pay Act in courts across the nation, including the United State Supreme Court. In the letter, the counselor suggested that Margolin might like to get to know me as Margolin and I shared childhood experiences as wards of the Home and as Newman graduates. Soon after I arrived in Baltimore, Margolin graciously began inviting me for weekend visits to her lovely home in Washington, D.C., and our wonderful relationship continued through my years in college, law school, and into the start of my own career as a government attorney.
Margolin, the first woman lawyer I ever met, was elegant, worldly, and kind. She provided helpful advice, captivating recollections of her career, important contacts in the legal community, and was a powerful role model for me. After she died at age 87 in 1996, and after my repeated and unsuccessful efforts to find a “real author” to tell her remarkable story, I slowly realized there was no one else to do the job. Margolin deserved to be rescued from obscurity. Fortunately, LSU Press and the National Endowment for the Humanities agreed. And so with a publishing contract, prompted by grants from NEH and other funders, and a literary award from the Supreme Court Historical Society, I retired from my thirty-year law practice to become Bessie Margolin’s reluctant biographer.
Tell us about a woman or a group of women who inspired your writing.
The Feminist Legal Biography Workshop is a small but amazing group of writers, all of whom happen to be women academics in the field of legal history, who graciously welcomed me into their highly specialized fold and offered priceless feedback and expertise. We’ve met in person only once a year over the past 7-8 years, supplemented with occasional email. When we meet, there are usually six or seven of us in attendance, and each of us has one hour to present what we’re working on and seek input from the group. Each of us has written or is writing a book about a female jurist or lawyer: Barbara Babcock, biographer of Clara Folz, the first woman lawyer in the West and the first public defender; Constance Backhouse, biographer of Judge Claire L’Heureux-Dubé, Canada’s second female Supreme Court justice; Jane DeHart, Justice Ruth Bader Ginsburg’s biographer; Tomiko Brown-Nagin, biographer of Constance Baker Motley, first female African American federal judge; Leandra Zarnow, biographer of Bella Abzug; and Pnina Lahav, biographer of Golda Meir.
And, yes, feminist legal biography is a real “thing.” Several of us gave a panel presentation on the subject at the 2019 conference of the American Society of Legal History and will also be on a panel at the upcoming Berkshire Conference of Women Historians. I feel so fortunate to be part of this inspirational group of women. As the only non-academic in the group, I am certain that Bessie Margolin’s importance paved the way for my participation.
What’s your next book and when will we see it?
I’m thrilled that LSU Press has decided to release Fair Labor Lawyer in paperback, so look for that in September 2020. I’m particularly excited to have gotten some new and enthusiastic “blurbs” for the paperback, including from Julie Cohen (award-winning director of the documentary, RBG), Evan Thomas (Justice Sandra Day O’Connor’s biographer), and Elaine Weiss (author of The Woman’s Hour: The Great Fight to Win the Vote).
My next new book, still very much a work in progress, is Most Fortunate Unfortunates: New Orleans’s Jewish Orphans’ Home, 1855-1946. I became so enthralled with learning about Bessie Margolin’s childhood in the orphanage, coupled with the knowledge that I would have lived there if it had not closed, that this was another book I was reluctantly compelled to write. There are days I feel I have bitten off far more than I can chew; over its 90 years, through the Civil War and WWII, the Home — which was the first purpose-built Jewish orphanage in the country — sheltered 1623 Jewish orphans and other dependent children (and 24 widows) from throughout the South. To date, with funding from the American Jewish Archives and the Texas Jewish Historical Society, I have conducted extensive archival research and have interviewed more than 60 Home alumni or their descendants, many of whom contacted me through my website, www.marlenetrestman.com. My manuscript is due to LSU Press in June 2020, and so the pressure is on!
Question for Pamela: What’s the most surprising thing you’ve learned while running Non-Fiction Fans? *
I think the thing that has surprised me most is how little running it actually requires. We went in expecting to have to nudge conversation along. In fact, the conversations happen without much intervention on our part. Non-fiction fans are a lively, opinionated and interesting group.
Want to know more about Marlene and her work?
Check out her website: www.marlenetrestman.com
Follow her on Twitter: https://twitter.com/MarleneTrestman
*For those of you who aren’t in the know, Non-Fiction Fans is a Facebook group that Theresa Kaminski and I run together. As you may have guessed, the purpose of the group is to readers (and writers) of mainstream narrative nonfiction to fabulous books (history, biography, literary studies, cultural studies)s and spark conversations about them. If you’re not already a member, drop on by: https://www.facebook.com/groups/1760137804315990/ (You will have to answer a few questions before we accepted you. We draw a large number of would-be members who can best be described as fruitcakes.)
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Come back tomorrow for three questions and an answer with Leah Leach of the Gal’s Guide to the Galaxy, an organization that is reaching for the women’s history stars.